We are all back from our travels, and so happy to finally be home and getting back into our regular routines. Dexter was only home for about 10 days in the last month, and it that time he has outgrown both his cradle and Moses Basket. He still fits in them, but with his new found skills of rolling over and rolling around, those just fence him in, man! He needs to roll free! So he has graduated to the Pack-n-Play until I can pick up the crib from our friend BJ. Not sure where it is going yet.
In grown up news, I am beside myself with delight that the
New York Times has done away with Times Select, and am gorging myself on back columns from Maureen Dowd. Steve and I are both on cleaning, sorting and throwing away binges, and I am trying to find a buyer for my grandmother's china. I may end up keeping it after all, if I can't. Next place to try are Palm Springs consignment shops.
Now that I have been able to start exercising again, I's starting to feel like my old self, but it is amazing to me what a difference 12 pounds makes, which is what I still have to lose. I still can't fit into my old clothes yet, and the big nursing boobs are the main culprit. He is down to only two feedings a day, but there they are. They must be getting a little smaller, as I'm using the smaller hooks. But still!
I did a show last Saturday night at the
Farmlab/Not a Cornfield/Under Spring performance space called Puppets After Hours, with The Countess. Personally, my material killed and the entire show was a rousing success. There were 400 people in attendance, and it had been written up in the
LA Times Calender section that Thursday. As a result, The Countess will now be going into the
City of Sin Show over at ACME next Friday, instead of the Cirque du Soleil character I had been working on. It doesn't matter to me either way, as I am happy to be getting back on stage, and frankly, I'd rather be wearing all black and having people look at my chin, than any kind of get up I would have created for the Cirque one.
Here is the boy...